Acta Structuralica

international journal for structuralist research

Book | Chapter

193804

Book two

sections 86–98

Monika Langer

pp. 98-104

Abstract

Nietzsche contended we all need to see ourselves in perspective and the art of masquerading taught by artists provides such perspective. He suggested poetry in its primeval form sought to discharge irrationality, restore the soul's balance, and coerce the gods. Now Nietzsche critiques art designed to intoxicate. He deplores artists' vanity in striving to produce massive effects, instead of cultivating their own particular talent. He notes one now uses artworks as mad, intoxicating respites from life's suffering, whereas formerly they celebrated life's elevated and blissful moments.

Publication details

Published in:

Langer Monika (2010) Nietzsche's Gay science: dancing coherence. Basingstoke, Palgrave Macmillan.

Pages: 98-104

DOI: 10.1057/9780230281769_8

Full citation:

Langer Monika (2010) Book two: sections 86–98, In: Nietzsche's Gay science, Basingstoke, Palgrave Macmillan, 98–104.